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Sofia Goebaidoelina
In Memoriam composer Sofia Gubaidulina
Russian composer Sofia Gubaidulina died on March 13th at the age of 93 in her hometown of Appen.  She is considered one of the most influential composers of the post-World War II era. Gubaidulina was born on October 24th, 1931 in Chistopol, Russia. She studied piano and composition at the Kazan Conservatory and composition at the Moscow Conservatory. Her music was characterized by spirituality and experimental sound combinations. The Soviet authorities opposed her because she did not conform to the social realism they imposed, but she refused to conform. She felt supported by Dmitri Shostakovich who encouraged her to continue on the ‘wrong path’. In 1992, Gubaidulina moved to Germany, where she led a secluded life. Her oeuvre includes more than 100 compositions, ranging from chamber music to symphonies. Well-known works include the violin concerto Offertorium (1980), written for violinist Gidon Kremer, and Canticle of the Sun for cellist Mstislav Rostropovich. Her music is performed worldwide by leading orchestras and soloists. In the Netherlands, Gubaidulina became known through the television series Toonmeesters by conductor Reinbert de Leeuw and director Cherry Duyns. Her latest work Über Liebe und Hass premiered in the Netherlands in 2018 under the direction of Valeri Gergiev. Her work remains a source of inspiration for musicians and lovers of contemporary classical music. Gubaidulina at the Concertzender Concertzender Live van a.s. donderdag 20 maart om 14:00u is completely devoted to Sofia Gubaidulina Ongehoord, 11 november 2024 Radio Monalisa, 24 november 2024 Sonoor, 18 juni 2017
Jimmy and Doug Raney – Guitarists (1/3)
Saturday 15th March, 5:00 PM – House of Hard Bop. In part 1 of a triptych, you will hear a live recording of Jimmy Raney from 1976: The Complete Jimmy Raney in Tokyo (Xanadu). In the concert hall, a concentrated and enthusiastic Japanese audience. Raney enjoyed the positive atmosphere and the hospitable environment. He also considered this performance to be one of his very best. Most of the pieces have a trio line-up, with bassist Sam Jones and drummer Leroy Williams. In two pieces, the trio is expanded with altoist Charles McPherson and pianist Barry Harris. The second broadcast will be dedicated to his son Doug Raney (1956-2016), with recordings for the Steeplechase label. And in the third episode we hear them together: Stolen Moments on Steeple Chase and Raney ’81 on Criss Cross. The New York Times described Jimmy Raney (1927-1995) as “one of the most gifted and influential postwar jazz guitarists of the world.” Raney was certainly no beginner in 1976. In the 1950s he played with Red Norvo and Stan Getz. His music was recorded on dozens of records, many of them under his own name. In the late 1960s he declined somewhat, but then came back strongly. He started working with his son Doug, also a guitarist. With the rise of fusion and rock, difficult times dawned for bop-oriented jazz, but Japan remained stabley jazz-minded during that period. Americans were received with great enthusiasm and respect. Live in Tokyo was a three-artist concert series. Pianist Barry Harris, altoist Charles McPherson and Raney were the frontliners, bassist Jones and drummer Williams the regular accompanists. Jimmy Raney had written quite a few pieces himself, but here he chose standards from the Great American Songbook, perhaps to accommodate the Japanese – and his accompanists. He also limited the playing time per piece, to a maximum of five minutes. His concentration is on the long melody lines – chord work is minimal. 1 How about You 2 Darn that Dream 3 Anthropology 4 Watch what Happens *) 5 Just Friends 6 Autumn Leaves 7 Stella by Starlight (Raney solo)) 8 Here’s that Rainy Day 9 Groovin’ High 10 Blue ’n’ Boogie The last two pieces increase the dynamics: altoist Charles McPherson and pianist Barry Harris join the trio. House of Hard Bop – Eric Ineke *) Watch what Happens (in French: Recit de Cassard) falls somewhat outside the standard list. It is a composition by Michel Legrand, from the French film Les Parapluies de Cherbourg (1964). The special and unique thing about this film, starring twenty-year-old Catherine Deneuve: everything is sung, no spoken word. Recommended!
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