Contemporary Music
At the beginning of last month, French-American composer Betsy Jolas celebrated her 100th birthday. She is one of the last surviving figures of the post-war avant-garde. Why has she remained less well known than some of her contemporaries? Perhaps, as a woman, she was nog given a fair chance. Another possible explanation is that her music is less radical. At a time when uncompromising innovation was the prevailing credo, her more moderate style found little appreciation. Perhaps the time has now come to reassess her work.
Playlist
- Betsy Jolas: Quatuor II. Mady Mesplé (soprano); Trio à Cordes Français.
15’23” - Betsy Jolas, Sonate à trois. Pierre Cazes (harpsichord), Joseph Grau (blokfluit), Olivier de Mones (viola da gamba).
9’51” - Betsy Jolas, D’un opéra de voyage. Orchestre du Domaine Musical conducted by Gilbert Amy.
9’40” - Betsy Jolas, Musique d’hiver. Angela Metzger (organ); WDR Sinfonieorchester Köln conducted by Titus Engel.
20’21”
