Resonator

00:00 Resonator spot
00:28 Grischa Lichtenberger – stranger things s02 e07
03:15 Double Goocher Shop – Finding #11
07:14 Jasmine Guffond – Muzak for the Encouragement of Unproductivity Two
11:48 Shropshire Number Stations – Side B
13:23 Any – That’s Not My Bell
15:50 Bernard Parmegiani – La Traversée
18:54 Matmos – The Chrome Reflects Our Image
21:40 Vittorio Guindani – Strame 15
22:48 Lolina – Industry Plant
24:28 Eventless Plot & Francesco Covarino – Methexis part A
27:00 Sarah Hennies & Tristan Kasten-Krause – Axonic
31:40 Os Mutantes – O Relógio
33:05 Sage Martens – Chamber Music for Lawn Mowers
36:39 Organ of Corti – Calvaria
40:10 Marc Baron & Éric La Casa – Contrefaçons Pt. 2
41:41 Pavel Milyakov & Lucas Dupuy – Path
46:00 Rick Myers, Andy Votel, Sean Canty – Human Engineering Side A
50:05 $cru – Burial Beat
51:15 Klara Lewis & Nik Colk Void – Travel With Friend
53:40 Gonçalo F. Cardoso – High Tides and Coral Chants
57:05 Rabit – Life After Death 12

Grischa Lichtenberger
»Ostranenie« is a collection of digitally manipulated, impressionistic piano miniatures — each named after blockbuster films and TV series. Improvised late at night as a reaction against passive media consumption, these pieces function as both homage and critique, navigating the space between classical impressionism and contemporary digital manipulation. They don’t just deconstruct traditional piano expression; they interrogate the emotional stakes of sound in an era where immersion culture flattens meaning and algorithmic logic erodes agency.
https://raster-raster.bandcamp.com/album/ostranenie

Double Goocher Shop
uring shortwave radio research, Double Goocher Shop inadvertently recorded EVP interactions with these inhabitants. The stereophonic artifact the duo has produced explores, from their perspective, an anthropological hoax about the metaphysical properties of spheres, rotating voltages, static electromagnetism and the hunt for ghost voices.
https://readinggroupcompany.bandcamp.com/album/radio-carrion

Jasmine Guffond
‘Muzak for the Encouragement of Unproductivity’ Muzak for the Encouragement of Unproductivity is a poetic inversion of Muzak’s traditional role in stimulating seamless productivity in the workplace. Beginning as a pre-radio music distribution network (1934, U.S.), Muzak was transmitted along electrical wires with the intention of being at once ubiquitous and indiscernible, always present yet easily ignorable.
https://lineimprint.bandcamp.com/album/muzak-for-the-encouragement-of-unproductivity

Shropshire Number Stations
Shropshire Number Stations – Recordings of Covert Shortwave Radio Stations charts the covert shortwave radio stations broadcasting silently through the air around us, to aspirant agents in the fields of Shropshire, UK and the counties which surround it.
https://deathisnot.bandcamp.com/album/recordings-of-covert-shortwave-radio-stations-shropshire-mid-wales

Any
Downbeat, dreamy charm by Greco-Canadian debutee Any, coming outta nowhere with a quietly compelling blend of harps and ohrwurm hooks including co-production and chops by Klein/Lolina spar LA Timpa. Think Astrid Sonne and Tirzah on the terrace with Sissi Rada, and sink into that warm embrace pronto.
https://sferic.bandcamp.com/album/mega-mercy

Bernard Parmegiani
Bernard Parmegiani (born in Paris, France, 27 October 1927; died 22 November 2013) was a composer best known for his electronic or acousmatic music.
https://subrosalabel.bandcamp.com/album/lac-noir-la-serpente-1992-never-released-before

Matmos
Matmos’ singular compositional approach resembles the creation of sculpture. The incredibly detailed pieces that make up each album are created with carefully selected sounds that adhere to a specific conceptual framework. The duo, composed of Drew Daniel and M.C. Schmidt, makes music that defies both category and expectation, shattering notions of what electronic music is by questioning what else it could be. In the case of Metallic Life Review, what may be possible with the sound that metal objects make? By ignoring the categorical genre constraints associated with terms like found sound, music concrète, techno, glitch and, yes, “metal” and pushing into new territory, Matmos’s approach answers this question with gleeful abandon. Underpinning their adventurous and inquisitive spirits is a sense of real feeling, never shying from the difficult and unsettling moments, but embracing the breadth of human experiences that live in communication with the constraints of each project.
https://matmos.bandcamp.com/album/metallic-life-review

Vittorio Guindani
Vittorio Guindani (b. 1969) is interested in silence, soundscape, void, field recordings and small sounds, which he creates with objects, loops and anything endowed with its own dust.
https://lineimprint.bandcamp.com/album/strame

Lolina
Alina Astrova, better known by the recording aliases Lolina and Inga Copeland, is a Russian-Estonian experimental musician and singer living in London. In addition to her solo work, she collaborated with British musician Dean Blunt on various releases, including several albums as the duo Hype Williams from 2009 to 2012.
https://lolina.bandcamp.com/

Eventless Plot
Eventless Plot borrows elements from different genres and aesthetics to build their own hybrid of sound. Formed in Thessaloniki in 2002 by Vasilis Liolios, Aris Giatas and Yiannis Tsirikoglou, the trio exhibits great attention to sonic details expressed in different forms of experimentalism. They use a variety of instruments, analog sources, field recordings and Max/MSP patches.
https://eventlessplot.bandcamp.com/album/methexis

Sarah Hennies & Tristan Kasten-Krause
Composer and percussionist Sarah Hennies and composer and bassist Tristan Kasten-Krause make music rooted in observation. Timbres across percussion and string instruments gradually meld into one; pitches gently float into consonance after bristling in dissonance. With The Quiet Sun, their debut duo album, the two musicians present two pieces that survey their nuanced approach to sound as it grows over time. The album, recorded at ISSUE Project Room, presents two works that each show a different lens into the large-scale forms they have developed together.
https://dinzuartefacts.bandcamp.com/album/the-quiet-sun

Os Mutantantes
Os Mutantes is a Brazilian rock band that were linked with the Tropicália movement, a dissident musical movement during the Brazilian dictatorship of the late 1960s.
https://osmutantes.bandcamp.com/music

Sage Martens
Matthew Sage (RVNG, Fuubutsushi) and Lieven Martens (Edições CN, Dolphins Into The Future) sing the lawn.
https://msage.bandcamp.com/album/chamber-music-for-lawn-mowers

Organ of Corti
The Swedish trio of scene veterans Joachim Nordwall, Mattias Gustafsson and Dan Johansson have been exploring the possibilities of sound manipulation for years, together or by themselves under various aliases. Stoically moving forward in pursuit of obscure, atmospheric textures that will get right under your skin. While the world is falling apart, they have been fine-tuning their hallucinatory concrète ambiances. The sort of stuff that fits a bleak, enervated mood by chewing on nerve ends, transporting heads to other places.
https://dead-mind.bandcamp.com/album/locus

Marc Baron & Éric La Casa
In September 2023, at the Hiventy laboratories in Joinville-le-pont – formerly Pathé – we recorded the film restoration (image and sound) and development processes. Following the mechanical and digital processes, we listened to and interviewed the technicians to understand what goes into restoring a film. How do you restore a film to its original state? To do this, we need to get close to what viewers of the film could perceive in the cinema. The way we look at and listen to a film has evolved since the birth of cinema. Today, wouldn’t they want an 8K dolby atmos print ? We are now used to increasingly accurate digital sound and images. So the first version of a film on an analogue medium, which seemed like an archive and a fixed point in our memory, is in fact just a fragile memory in an ever-changing world.
https://swarming.bandcamp.com/album/contrefa-ons

Pavel Milyakov & Lucas Dupuy
Pavel Milyakov teams up with UK-based visual artist Lucas Dupuy to present “HEAL” — an hour long electroacoustic ambient record influenced by 90′-00’s era new age. The 6 tracks have loopy and meditative nature and include field recordings taken in Japan.
https://buttechno.bandcamp.com/album/heal

Rick Myers, Andy Votel, Sean Canty
Human Engineering LP started with a performance photograph, taken during the first stages of the global Coronavirus lockdown in a disused municipal building in Easthampton, Massachusetts. Taking the form of a proficient and emphatic high-jump, with a recording of its sound, and a spoken text, amplified through the strings of an abandoned piano occupying the same space. The resulting photographic and sound documents formed the basis of an audio correspondence between Rick Myers, Andy Votel and Sean Canty which was recorded and arranged between Easthampton Mass. and Manchester from 2018 to 2024.
https://fewcrackles.bandcamp.com/album/human-engineering

Reel Talk
For the last two years, Heat Crimes has been combing the deepest recesses of TikTok, rooting out the forward-thinking producers that are helping to define a movement that’s still not fully appreciated or understood in the meatspace. ‘Reel Talk – Best of Douyin Tracks’, named after the popular China-only Douyin app’s viral, short-form music videos, assembles 46 of the burgeoning scene’s most bizarre and brilliant experiments, shining a spotlight on 21 producers from 15 different countries. It showcases a new kind of fusion, a virtual melting pot where K-pop, Afrobeat and Brazilian funk aesthetics ooze into AI-generated ambience, hyperpop and meme music – there aren’t any set rules, as yet, and that’s exactly why the sounds are so consistently fascinating.
https://heatcrimes.bandcamp.com/album/reel-talk-best-of-douyin-tracks

Klara Lewis & Nik Colk Void
The collaboration between Klara Lewis and Nik Colk Void somehow seemed inevitable. Both artists having seen their releases published by Editions Mego, individually carving out idiosyncratic voices in the worlds of extreme, abstract electronic music.
https://nikcolkvoid.bandcamp.com/album/full-on

Gonçalo F. Cardoso
”A site-specific recording sporting a straightforward approach that i’ve grown to love in the works of Gonçalo Cardoso. An album of modern day exotica, a genre i usually pretty much dislike, yet Cardoso steers his vehicle easily aside the trapdoors and potholes.
https://goncalofcardoso.bandcamp.com/album/impresso-es-de-uma-ilha-unguja

Rabit
Eric C. Burton, best known by the recording alias Rabit, is an American producer of experimental electronic music, as well as the owner of his own label Halcyon Veil, born in Houston.
https://gangstalkers.bandcamp.com/album/life-after-death-2